revolutionariess:

characters that go through hell yet still believe in the goodness of humanity, still hope for the best despite everything, refuse to let darkness consume them because someone somewhere is always going to be good are literally my favourite, because they give me that little hope too

ann-fortunately:

[The scene] feels like a reference to Norman Osborn carving the turkey in the first Spider-Man, which also had the same nerve-racking, dramatic irony.

When they’re in the car there’s some interesting lightning choices going on. Notice how there’s this red, demonic light glowing from the stop light as he starts to figure out who Peter is, and then after a moment the light switches to green, which in a way is even more menacing. […] the green light signals that in this moment he has transformed from slightly intimidating dad to murderous supervillain, the Volture.